|
||
|
|
Through his research and practise
in Botswana, recording click language speech by individuals who collaborate
as performers at the beginning of a process, Wynne constructs an experience
that flickers on the boundaries between speech and sound, and the various
levels of meaning that can be derived from human communications. Simultaneously,
the work alerts the perceiver to the beauty of language and its potential
as a plastic medium, to specifics and generalities, to political and
economic realities, and to the troubled, yet fruitful connections that
can be nurtured in spite of an intimidating geographical, linguistic,
cultural, and technological divide.
David Toop from Foreword to Hearing Voices
| |
|
|
||
|
|
|
|
|
|
|